Premiere Pro CS6 Techniques: 100 Creative Black & White giovedě, 20 Dicembre 2012 - 11:11 AM - 4 Months, 4 ago - top stories - Cowcast Although there are some obvious ways to create black and white footage in Premiere Pro, the usual approaches can often leave a lot to be desired in terms of creativity and artistic influence. Length: 00:07:58
Premiere Pro CS6 Techniques: 99 Ultra Key Part 2 giovedě, 20 Dicembre 2012 - 09:25 AM - 4 Months, 4 ago - top stories - Cowcast The Ultra Key in Premiere Pro is a way of quickly and efficiently 'Green/Blue Screening' or 'Chroma Keying' footage elements shot against a colored background. Length: 00:13:23
Premiere Pro CS6 Techniques: 98 Ultra Key Part 1 giovedě, 20 Dicembre 2012 - 07:05 AM - 4 Months, 4 ago - top stories - Cowcast The Ultra Key in Premiere Pro is a way of quickly and efficiently 'Green/Blue Screening' or 'Chroma Keying' footage elements shot against a colored background. Length: 00:07:29
Premiere Pro CS6 Techniques: 97 Track Matte Key giovedě, 20 Dicembre 2012 - 06:36 AM - 4 Months, 4 ago - top stories - Cowcast In this tutorial, Andrew Devis shows how to use the Track Matte Key effect to pixel out a face to keep a character anonymous. Andrew also shows how to use the circle effect with fast blur to create a soft matte to use with the Track Matte Key effect. Length: 00:09:29
Premiere Pro CS6 Techniques: 96 Time 5: 'Burn-in' Timecode giovedě, 20 Dicembre 2012 - 06:17 AM - 4 Months, 4 ago - top stories - Cowcast The timecode effect is often used to generate lower quality versions of footage with timecode 'burnt in' so that producers can give exact times for specific edits and selections. Length: 00:07:39
Premiere Pro CS6 Techniques: 95 Time 4: Playing with Echoes giovedě, 20 Dicembre 2012 - 05:56 AM - 4 Months, 4 ago - top stories - Cowcast In this tutorial, Andrew Devis shows how to use the Echo effect and goes through its settings showing how to get the best out of this powerful effect. Andrew also talks a little about filming with the aim of using the Echo effect on the final product. Length: 00:08:28
Premiere Pro CS6 Techniques: 94 Time 3: Posterize Time giovedě, 20 Dicembre 2012 - 05:35 AM - 4 Months, 4 ago - top stories - Cowcast The 'Posterize Time' effect can be used to set a frame rate for a piece of footage or a nested sequence. However, in this tutorial, Andrew Devis shows how to use it as a special effect to create dramatic looks for your footage. Length: 00:04:36
Premiere Pro CS6 Techniques: 93 Time 2: Time Remapping giovedě, 20 Dicembre 2012 - 05:33 AM - 4 Months, 4 ago - top stories - Cowcast Time remapping is hands-down the most powerful time changing effect in Premiere Pro and also great fun to work with once you know how to use it. In this tutorial Andrew Devis shows how to vary the time of a clip and more. Length: 00:12:55
Premiere Pro CS6 Techniques: 92 Time 1: Clip Speed/Duration giovedě, 20 Dicembre 2012 - 05:33 AM - 4 Months, 4 ago - top stories - Cowcast In this tutorial, Andrew Devis shows another of the time options inside of Premiere Pro (having previously shown the rate-stretch tool in an earlier tutorial). Length: 00:08:02
Premiere Pro CS6 Techniques: 90 Export 5: Media Encoder 2 giovedě, 20 Dicembre 2012 - 05:32 AM - 4 Months, 4 ago - top stories - Cowcast In this second tutorial on Media Encoder, Andrew Devis shows how to create preset groups for customers to ensure that you always export the same file types and minimize the risk of choosing the wrong presets when outputting multiple different sequences. Length: 00:07:12
Premiere Pro CS6 Techniques: 89 Export 4: Media Encoder 1 giovedě, 20 Dicembre 2012 - 05:32 AM - 4 Months, 4 ago - top stories - Cowcast In this tutorial, Andrew Devis shows how to use the Media Encoder to render out several different versions of a Premiere Pro sequence using easy to find and select presets. Length: 00:11:33
Premiere Pro CS6 Techniques: 87 Export 2: Export Settings giovedě, 20 Dicembre 2012 - 05:32 AM - 4 Months, 4 ago - top stories - Cowcast In this tutorial, Andrew Devis starts by talking about the 'Send to SpeedGrade' option and then moves on to discuss the selection settings (left hand side) in the Export Settings dialogue box. Length: 00:08:45
Premiere Pro CS6 Techniques: 86 Export 1: Dynamic Link giovedě, 20 Dicembre 2012 - 05:30 AM - 4 Months, 4 ago - top stories - Cowcast In this tutorial, Andrew Devis shows how to get a sequence from Premiere Pro into either Encore or After Effects using the 'dynamic link' function. Length: 00:06:27
AE Basics 61: Export 7 Media Encoder 3 - Watch Folders martedě, 18 Dicembre 2012 - 10:00 PM - 5 Months ago - top stories - Cowcast AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 61: In this tutorial looking at getting your production out of After Effects, Andrew Devis shows how to create and use watch folders. Length: 00:05:43
Learn Media Composer Lesson 37: Media Organization martedě, 18 Dicembre 2012 - 04:01 AM - 5 Months ago - top stories - Cowcast Project Archiving: In this lesson, Kevin P McAuliffe answers a viewer's e-mail about the organization of media outside of MC/Symphony, and then shows you how using a free, third-party media management application will simplify your archiving process. Length: 00:17:31
Learn Media Composer Lesson 36: Advanced Exporting Part 4 martedě, 18 Dicembre 2012 - 04:00 AM - 5 Months ago - top stories - Cowcast OMF Export for Audio Post: In this lesson, Kevin P McAuliffe shows you how easy it is to set up a preset for exporting the audio in your sequence for audio post. Length: 00:15:19
Learn Media Composer Lesson 35: Advanced Exporting Part 3 lunedě, 17 Dicembre 2012 - 09:00 AM - 5 Months ago - top stories - Cowcast In this lesson, Kevin P McAuliffe shows you a "hidden" gem inside of Media Composer and Symphony, and that is how to export a multichannel audio file. Most editors think that is is not possible in MC/Symphony, but Kevin shows how easy it is. Length: 00:13:45
Learn Media Composer Lesson 34: Advanced Exporting Part 2 venerdě, 14 Dicembre 2012 - 12:05 PM - 5 Months ago - top stories - Cowcast HD to SD Centercut: In this lesson, Kevin P McAuliffe talks about the importance of setting your title safe markers correctly to properly downconvert HD footage and centercut it, so that the image fills an entire 4x3 frame. Length: 00:13:01
SITO ITALIANO 
ENGLISH SITE
